I’ve Only Known My Own
- When
- March 30, 2016
- Where
-
She Works Flexible: Flex Space
2608 Dunlavy St
Houston,TX 77006 - Cost
- Free
She Works Flexible presents I’ve Only Known My Own. Featuring work by Nadège Grebmeier Forget, Ursula Johnson, Autumn Knight, Michelle Lacombe, and Mikhel Proulx. On view Wednesday March 30 – Saturday April 16, 2016 Opening Reception: Saturday April 2nd, 7-9pm. LOCATION: She Works Flexible: Flex Space 2608 Dunlavy St, Houston, TX 77006
I’ve Only Known My Own is a group exhibition of new performance works that explore how the materiality of the body is translated or communicated through measurements, process, technology, and documentation.
This exhibition looks at how the matter of the body might become a tool or force that generates or expresses its own (il/logical) systems, and thinks through how this material embodiment might function as a form of resistance.
Rather than presenting a fixed set of works, the exhibition will evolve over the course of its three-week run, with objects, props, and works being set in motion during the presentation of each of the 4 performances. Inhabiting the quasi-domestic architecture of the gallery, the artists will work within the rooms of She Works Flexible’s Flex Space, gradually interacting with the space and leaving traces behind.
Nadège Grebmeier Forget‘s (Montreal, QC) ongoing series One on ones for so-called fans involves private performances that are then translated through oral accounts and performative re-tellings, highlighting the role of documentation and technology in mediating access to her performing body.
Ursula Johnson (Dartmouth, NS) will present a new work that continues her investigations into the ways that indigenous cultural practices such as basket-weaving or leather tanning are now transmitted from body to body, and place to place.
Autumn Knight‘s (Houston, TX) new performance Documents will compile a reading of the documentation that serves to legitimize (American) citizenship, while holding space for the embodied specificities of race, class, and gender to contest whether these documents accurately reflect the bodies they are meant to represent.
Michelle Lacombe (Montreal, QC) will present excerpts from her project Of All the Watery Bodies, I’ve Only Known My Own, where she used a monthly measurement of the volume of blood in her body to determine the placement of a tattooed water line around her calves.
Mikhel Proulx (Montreal, QC), a scholar who has written about the ways in which queer bodies are (re)presented in online spaces and through self-imaging practices such as web-camming and selfies, will be on site to research a text that will be published following the close of the exhibition.
Please visit: http://nicoleburisch.com/2016/03/08/iokmo/ for more information and the complete schedule of performances and events.