Opening Reception: Right Here, Right Now: Houston, Volume 2

Contemporary Arts Museum Houston (CAMH) presents the Opening Reception: Right Here, Right Now: Houston, Volume 2.

Celebrate the opening reception of CAMH’s three-part exhibition featuring solo presentations by Houston-based artists Amy Blakemore, Thedra Cullar-Ledford, and Susie Rosmarin.

Free admission; cash bar.

Blakemore’s, Cullar-Ledford’s, and Rosmarin’s works are visually and conceptually diverse. These artists create moodily poetic photographs, wry and confrontational figurative paintings, and vivid, optically luscious abstractions.

Amy Blakemore: People, Cars & Buildings, Sculptures, Flowers, and Junk
Curated by Dean Daderko, Curator

Amy Blakemore’s photographs capture perfectly affective moments. Her ongoing exploration of the familiar photographic genres of portraiture, landscape, and still life has resulted in a body of fascinating photographs marked by telling difference. Full of hazy focus and quotidian awkwardness, Blakemore’s photographs draw viewers into suggestive atmospheres.

Blakemore is an inveterate collector, and the desire to collect informs this exhibition’s organizational structure. Common subjects that have passed before Blakemore’s lens over nearly three decades are gathered together. The thematic groupings People, Cars & Buildings, and Flowers demonstrate Blakemore’s unique approaches to portraiture, landscapes, and still life. The groups Sculptures and Junk offer evidence of the artist’s more personal passions.

Whatever her subject matter, Blakemore creates uniquely beautiful images. With an artistic vision that is by turns painterly, elegiac, humorous, and suffused with melancholy, Blakemore might be called a painter’s photographer. She balances the erratic effects produced by cheap plastic cameras with remarkable darkroom precision. Blakemore is a gifted colorist who appreciates the everyday dramatics of light and shadow dappling a stuccoed wall, dusky shadows, or apples mouldering on the grass beneath a tree. These groupings of photographs offer viewers the opportunity to compare and contrast images, and to be drawn deeper into Blakemore’s world.

ABOUT THE ARTIST
Amy Blakemore (b. 1958, Tulsa, OK) received a B.S. in Psychology and a B.A. in Art from Drury College (now Drury University) in Springfield, MO, and an M.F.A from the University of Texas at Austin. She has lived and worked in Houston since 1985, when she arrived in the city to be an Artist in Residence at the Museum of Fine Arts Houston’s Core Program. Blakemore’s photographs have been seen in the Whitney Museum of American Art’s 2006 biennial exhibition Day for Night. Her work has also been exhibited at the Museum of Fine Arts Houston (2009), the Seattle Art Museum (2010), and the Oklahoma City Museum of Art (2011). Art League Houston honored Blakemore as the Texas Artist of the Year in 2015. Blakemore has exhibited with Inman Gallery in Houston for more than two decades.

Thedra Cullar-Ledford: Lady Part Follies
Curated by Bill Arning, Director
TWITTER: https://twitter.com/eye2nothingness

Thedra Cullar-Ledford has been one of the biggest personalities and presences on the Houston scene for over a decade. A quintessential bad girl, Cullar-Ledford pairs humor with aggressive feminist statements and explorations of the perversity of Texas’s masculinist iconography. Her work has been widely exhibited and collected.

But in 2013 things got real when in her attempt to donate a kidney to a friend she was found to have a form of breast cancer and required a double mastectomy. Suddenly, she found herself learning a social political landscape in which a largely male medical establishment was telling women patients what to do, think, and feel about their bodies. She encountered a community of breast cancer activists who, in the words of the artist, felt no compunction to surgically reconstruct their bodies to allow others the freedom to not think about cancer.

In Cullar-Ledford’s first solo museum exhibition featuring sculptures, photographs, video, and performance, in addition to her bravura paintings, we see the young artist present her first mature works about Texas, made while she was attending Christ Church in Oxford, England.

ABOUT THE ARTIST
Thedra Cullar-Ledford was born in Abilene, Texas. She received her B.F.A. in Painting from California College of Arts and Crafts in 1992 and her M.F.A. in Printmaking and Sculpture from Oxford University in the UK in 1994. Her solo exhibitions include Drawing the Eye to Nothingness (2015); Small Stains, Big Problems (2013); Living Dolls (2012); Domicile (2003); Biometrica (2002); Other People’s Lives (2000); Encase: To Wrap Up in Something Solid (1998); Contain, Order, Move: The Box as Fundamental Form (1997); and Cradle to the Grave (1993).

Group exhibitions she has participated in include Powerful Babies: Keith Haring’s Impact on Artists Today (2015); Confluence (2014); Hullabaloo: Holiday ShaBang! (2013); Spring Introduction (2013); 10 Houston Artists: An Invasion of Space for 2011 Contemporary Art Month (2011); H2O Houston to Hyderabad (2011); Five Texas Artists: A Portrait Series (2010); among others.

Susie Rosmarin–Lines and Grids: The Lost Decade and Beyond
Curated by Valerie Cassel Oliver, Senior Curator

Susie Rosmarin’s paintings are born out of strategies to defy the two-dimensional frame. Her ability to achieve the dynamism of optical illusions is rooted in her extraordinary talents to affect movement with both color and composition. Her use of mathematical formula in the creation of her paintings and sculpture enables her to create by hand layered patterns and color that seem machine generated.

While her work has been appropriately situated within the spectrum of Op Art, she is a methodical landscape painter whose abstract compositions echo traditions of light and color. This exhibition brings together works created at various stages of her career, allowing audiences to experience the evolution of her craft. Envisioned as a mini-survey, the exhibition spans a thirty-year period but focuses on Rosmarin’s early work in painting, sculpture, and photography from 1988 to 2000. Additional works from subsequent decades, including the artist’s most recent digital generated works, are featured in the exhibition.

ABOUT THE ARTIST
Susie Rosmarin was born in Brownsville, Texas in 1950. She received her B.A. from University of St. Thomas in Houston in 1973 and her M.F.A. from Pratt Institute in New York in 1981. Her solo exhibitions include Pop-Up (2013); Some New Paintings (2013); and Paint By Numbers (2002).

ABOUT RIGHT HERE, RIGHT NOW
In 2014, CAMH launched the series Right Here, Right Now with solo presentations of work by artists Debra Barrera, Nathaniel Donnett, and Carrie Marie Schneider. The series is meant to highlight artistic developments taking shape in studios across the city, asserting that Houston, with its manageable cost of living and affordable studio space, allows innovators to maintain practices at a highly professional level. The exhibitions bring work by some of Houston’s most talented art makers to both area audiences for whom their work may be familiar, as well as act as an introduction to wider audiences outside the region.

Pictured above:Amy Blakemore, “Someone’s Living Room,” 2010. Chromogenic print, ed., 10 12 x 12 inches. Courtesy the artist and Inman Gallery, Houston.