Life Is Once, Forever: Henri Cartier-Bresson Photographs

The Menil Collection presents the exhibition Life Is Once, Forever: Henri Cartier-Bresson Photographs.  March 11-July 24, 2016.

Henri Cartier-Bresson (1908–2004) is considered to be a founding father of contemporary street photography—a movement dedicated to capturing the flux of life in the public sphere.

Life Is Once, Forever: Henri Cartier-Bresson Photographs, an exhibition of approximately 50 photographs from the Menil Collection, looks at the photographer’s pioneering career and humanist vision.

Cartier-Bresson, born into a wealthy Parisian family of textile manufacturers, was a self-taught cosmopolitan with a lifelong knack for discovering consequential events and individuals. He began taking pictures as a child, but distinguished himself in the early 1930s after purchasing a handheld 35mm camera and beginning to shoot, he said, on the run, or à la sauvette, in locations around the world.

His early images were made in Mexico, Spain, and North Africa and were prized by the Surrealists for their intricate, collage-like compositions made of surprising human gestures and architectural settings.

During World War II, he escaped from a German prisoner of war camp to document Europe’s devastation in photographs and documentary films. After the war, he went on to create thousands of images of newsworthy, popular-interest, and chanced-upon subjects and hundreds of casual and revealing portraits of cultural luminaries.

In 1947 Cartier-Bresson and a small group of like-minded photographers formed the legendary photographic agency Magnum to promulgate their new, life-engaged photojournalism.

In his career-defining 1952 book, The Decisive Moment, Cartier-Bresson summarized his approach as “the simultaneous recognition in a fraction of a second of the significance of an event as well as the precise organization of forms.” His street scenes, landscapes, portraits, and especially his depictions of individuals absorbed in the everyday are filled with uncanny, telling details and infused with humor, mystery, and pathos that have been widely imitated but never equaled.

In the early 1970s, at the instigation of longtime friends and collectors John and Dominique de Menil, Cartier-Bresson reviewed his many thousands of contact sheets with the idea of creating a succinct record of his work. He originally chose 385 images, which were printed by his Paris laboratory Photographic Services in 1972–73.

Versions of this archive reside at the Bibliothèque Nationale, Paris; the Osaka University of Arts, Japan; the Victoria and Albert Museum, London; and at the Menil Collection, which has more than 600 unique images by Cartier-Bresson.

This exhibition is generously supported by Anne and Bill Stewart and the City of Houston.

Pictured: Henri Cartier-Bresson, Marcel Duchamp, 1968, printed in 1985. Gelatin silver print, image: 9 3/8 x 14 in. (23.8 x 35.6 cm), sheet: 12 3/8 x 16 1/4 in. (31.4 x 41.3 cm). The Menil Collection, Houston, Gift of the artist. © Henri Cartier-Bresson/Magnum Photos.(Detail above, full image below).